Collection of things found and things made http://www.pinterest.com/thetwoleaves/
Monday, 19 November 2012
Monday, 12 November 2012
Murals
MURALS
Designed to celebrate the school's links with China. The three panel mural was drawn and painted on one large piece of mdf before being cut into it's three seperate bits.
African
African and Oriental Inspired murals made for Kirriemuir High School, Angus.
Oriental
Designed to celebrate the school's links with China. The three panel mural was drawn and painted on one large piece of mdf before being cut into it's three seperate bits.
My sister, Sam, helping re-colour the ladies face. |
Me! |
African
Designed to celebrate the school's links with Africa. This one is approximately 3m x 1.5m.
Thursday, 8 November 2012
William Shakespeare - Julius Caesar and King Lear
WILLIAM SHAKESPERE
JULIUS CAESAR AND KING LEAR
I was dubious about reading Shakespeare because of the pretentious and intellectual connotations attached to his works. However I read nine of his plays in the space of two weeks and found this to be key to my acceptance of the plays. I found meaning in Shakespeare because each new play I read made all the ones before it more defined - like building on an argument that suggests a reflective outlook on life. In the end he converted me, not to his plays, but to his frame of mind. I learnt that there are two important things in life that can balance and outbalance happiness: Hope and love.
What makes Shakespeare difficult is that the time it was written in tends to get in the way of contemporary story telling. I found some things were less easy to accept that others in terms of their necessity and value. For example in Measure for Measure the moral plot is about a woman selling her body to save her brother from death which doesn’t quite resonate today as much as it may have done back then. And so, instead I found myself questioning death and life - which one is easier –instead of the morals behind sex.
A Winters Tale
A story about a man who has success and love but is corrupted by human emotion.
Measure for Measure
Death? A dreamless sleep or a gateway to an afterlife of bliss or purgatorial suffering?
“I humbly thank you. To seek to live, I find I seek to die, And seeking death, find life. Let it come on.” (Claudio, 67)
Antony and Cleopatra
Living for love. Is living for this alone enough?
Timon of Athens
Timon of Athens
Money Vs Love. Defining flattery from feeling and which of the two is more important. Resentment to a world gone mad with money and all that that plagues
“Timon is dead, who hath outstretched his span. Some beast read this; there does not live a man.” (Timon)
The Tempest
Communist Utopia. Releasing you from dreams and from reality.
“You taught me language, and my profit on’t Is, I know how to curse: the red plague and you For learning me your language” (Caliban, 44).
A Midsummer Nights Dream
Reality within illusion.
“When they next wake, all this derision Shall seem a dream and fruitless vision And back to Athens shall the lovers went With league whose date till death shall never end…” (Oberon, 71)
King Lear
King Lear
What happens to a man who has power and love but looses them both? Re-birthing into the world - transcending from dreams to reality.
“You do me wrong to take me out o’th’grave; Thou art a soul in bliss; but lambound Upon a wheel of fire, that mine own tears Do scald like wolten lead” (Lear, 178).
LEAR ANALYSIS AND GIVEN WORLD
I compared the hierarchy of royalty in King Lear to those that have power these days – celebrity and the media. I drew out my ideas on thin pieces of paper which I stuck on top of every page of a gossip magazine.
“Scratching at the surface”
Lear Analysis put into the form of a magazine . The mask on top represents identity, the eye holes are blacked out because King Lear has no emotional identity - he is King but not 'father'. |
The reason it is in the form of a magazine is because of the contrast in hierarchy these days. In time gone by the Kings and Queens had power, money and fame and these days it is celebrities that have power, money and fame. And as opposed to riding through the streets in carriages to be seen, our power people ride the red carpet and get published in celebrity magazines. |
The first page is about fatherhood and King Lears absent relationship with his daughters |
What's Beneath the Surface? |
Julius Caesar
Power Vs Love. Is love the one that matters when all else is said and done? What should we do with the time we have, when death is the inevitable end?
“This day I breathed first; time is come round, And where I did begun, there shall I end, My life is run his compass - Sirrah, what news?”(Cassius, 101)
THE JULIUS CAESAR INSTALLATION
My analysis and artistic response to King Lear prompted my analysis of Julius Caesar. I set out to create a string of life that symbolized a journey made up of love and power. I hung this 'string of life' either side of a ladder to create the shape of a mountain. On one side I attached artifacts of love from family and friends: REAL LOVE. On the other side I attached artifacts of success and a desire for acceptance: FLATTERY LOVE.
The side of flattery love is made up of celebrity magazines. Again, inside every magazine was something extra to further illustrate the flattery love in the play. |
"The hardest thing in this world is living in it. be brave. Live" - Joss Whedon. This comes at the top of the 'mountain'. |
Power and Art, and John Berger's Ways of Seeing
POWER AND ART
JOHN BERGER'S WAYS OF SEEING
“You’re never as powerful as you are when you know you are powerless” (Kane)
John Berger’s book Ways Of Seeing opened
my mind to society and what controls our happiness. In his book he
speaks about love, art and society which is compiled in a way unusual to
the standard layout, for example one of the essays does not use any
words at all. Ways of Seeing was made into a BBC series in 1972.
What do the arts have to do with power?
“When in love, the sight of the beloved has a completeness which no words and no embrace can match: a completeness which only the act of making love can temporarily accommodate” (Berger, 8)
What do the arts have to do with power?
Power to put out a message, to express and inspire, affect. The power to connect.
Appropriation and Ownership
You can’t get the message out without conforming to the message. Art only gets made if it will make money. If art is made to connect with other humans then surely it is impossible to claim ownership over such a thing. Bourgeoisie ownership - owning the images in a painting.
What does my art have to do with the way the world is right now?
Identity search, expression…
The reason I go to an art gallery is to feel closer to the painters. An artist paints something they feel, and that image is displayed for the public to look at. But what you are really looking at is not a random image; it’s the soul of the artist, the inside of his head. Art is more exciting to me if I know why the painting was made, when and where. It’s the same with plays. You are not reading a story. You’re reading into a mans outlook on life. His feelings are carefully constructed into a piece of art work that should connect with anyone who reads it - connecting with the mind of another human being.
This is a landscape of a cornfield with birds flying out of it. Look at it for a second. Then scroll down.
This painting is the last picture that Vincent Van Gogh painted before he killed himself.
“When in love, the sight of the beloved has a completeness which no words and no embrace can match: a completeness which only the act of making love can temporarily accommodate” (Berger, 8)
Tab A into Tab B. Two people become one. Become whole.
“By refusing to enter the conspiracy, one remains innocent of that conspiracy. But to remain innocent may also be to remain ignorant. The issue is not between innocence and knowledge (or between the natural and the cultural) but between a total approach to art which attempts to relate it to every aspect of experience and the esoteric approach of a few specialized experts who are the clerks of the nostalgia of a ruling class in decline” (Berger, 32).
“This annologue between possessing and the way of seeing is incorporated in oil painting” (Berger, 83).
“Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness: happiness as judged from the outside by others…”(Berger, 132).
“Money is life. Not in the sense that without money you starve. Not in the sense that capital gives one class power over the entire lives of another class. But in the sense that money is the token of, and the key to, every human capacity. The power to spend money is the power to live” (Berger, 143).
“Money is life. Not in the sense that without money you starve. Not in the sense that capital gives one class power over the entire lives of another class. But in the sense that money is the token of, and the key to, every human capacity. The power to spend money is the power to live” (Berger, 143).
Short Experimental Art Film:
Wednesday, 7 November 2012
Henrik Ibsen
HENRIK IBSEN
One of my favourite playwrights is Henrik Ibsen. He and Anton Chekhov are similar in their ability to write down characters as an entity in an entire universe. They remind us that life is a bit shit sometimes and that we are alone, but that we are ALL alone therefore all in it together. Here are some of my favourite quotes from his plays and a mood board analysis of Hedda Gabler.
Looking in the mirror and acknowledging what life is/isn’t.
Freedom of Expression:
“But my mind - my thoughts - my dreams and longings - those you cannot imprison. They strain to roam and hunt out into the unknown -which I was born for…” (Ellida, 206)
The young and the old. Success and love in life. Inner demons and a loss of childhood.
Meaning:
“I was so alone, hollow, empty. In a cold and blue room - huge and empty, filled full of things I tried to give meaning to. My life meaning too. But now I’m filling”. (Solness, 72)
A Dolls House
Life’s meanings. Success and love.
Love and success:
“That’s just the point. You never understood me. A great wrong has been done to me, Torvald. First by pa and then by you.”(Nora, 97)
Hedda Gabbler
Repelled by the Realities of sex. Defying what people accept.
Life’s journey:
“And the train goes on” (Hedda, 278)
This Mood Board (below) was my direct reaction to reading Hedda Gabbler. The Board transits from childhood at the far left to death in adulthood at the far right.
Love Stories in Romeo and Juliet/Where is Prince Charming? "The anti depressants seemed to be working" Happiness is not so easy to come by. |
Anton Chekhov
ANTON CHEKHOV
Anton Chekov is one of my favourite playwrights. In all of Anton Chekhov's plays there are recurring themes and meanings and his plays are like accounts of his life and feeling, put into words and then spoken by characters - detailed analysis and wondering about being a human being and being alive. Chekhov is an exceptionally good writer not just because he speaks about how life has made him feel but also because everything he wrote down had a reason to be there in the text, it can all be joined up and together it will represent the main theme of the text.
THE SEAGULL
We all start life free as a bird. When we discover love, we fall into it. However we learn that it is not so easy to land on our feet - there is a fine line between lust and partnership.
Expectations of life destroy life. Learning that fairytale love is delusional:
“All this if just nonsense. Love without hope - it only happens in novels. It’s really nothing. you’ve only got to keep firm hold of yourself, to stop yourself hoping for…hoping for the tide to turn…If love sneaks into your heart the best thing to do is to chuck it out…” (Masha, 167)
Growing up/sexual awakening:
“…A subject for a short story: a young girl, like you, has lived beside a lake as a seagull does, and she’s happy and free as a seagull. But a man chances to come along, sees her, and having nothing better to do, destroys her, just like the seagull here.” (Trigorin, 151)
THREE SISTERS
A reminder of time passing. Time wasted with dreaming and hoping. Knowledge and education is not enough on it's own; nor is love on it's own.
Time:
“(drops clock and breaks it) Smashed to smithereens! (a pause. Everyone looks upset and embarrassed)” (Chebutykin, 300)
Hope for the future:
“I hate the life I live at the present, but oh! The sense of elation when I think of the future. Then I feel so light hearted, such a warm sense of release! I seem to see light ahead, light and freedom. I see myself free, and my children too…” (Audrey, 323)
All any of the characters in Chekhov’s plays ever seem to have is hope:
“Everything’s just wild grass”. (Masha, 282)
UNCLE VANIA
Decay and the old versus vitality and the young.
Hope:
“…No, ignorance is better…At least there’s some hope…” (Sonia, 220)
IVANOV
A man’s struggle to come to terms with life as it is. The parallels between naivety/youth and reality/older age.
Searching for meaning:
“I used to be young, eager, sincere and intelligent…And now…lazy soul, tired and broken, without faith, without love, without aim; I wander about among my friends like a shadow, and I don’t know who I am or why I live…Already it seems to me that love is silly…that there isn’t any meaning in work, that song and impassioned words are trivial and old fashioned…” (Ivanov, 113)
THE CHERRY ORCHARD
The old vs. the new. Living in ignorance. Work and love for purpose. Accepting the past/life and moving on.
The Student:
“Face up to the truth once in your life.” (Trofimov, 43)
THE BEAR
Two people haven given up on life find reason to live it again through love.
THE PROPOSAL
Selling a soul.
Ownership:
“I don’t understand this! What right have you to give someone else’s property?” (Lomov, 426)
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