Showing posts with label William Shakespeare. Show all posts
Showing posts with label William Shakespeare. Show all posts

Monday, 19 November 2012

The Design for Living

THE DESIGN FOR LIVING

“To philosophize is to learn how to die, simply because it is to learn how to live and because death – the idea of death, the inevitability of death – is part of living.”


I used to believe there was a 'Design for Living'. I derived this notion from my immense intake of stories. I noticed that so many are the same, so many characters want and need the same things. My 'Design' said we needed communication and rituals. My take on this has since developed. Instead of a 'Design' I believe it is much simpler. To understand must think about what it actually means to be human. So many have philosophized about man's purpose on earth. My personal opinion is that there is none, we procreate and we keep on living changing the world as we go “Living in the present is not a dream, nor an ideal, nor a utopia: it is the simple and extremely difficult truth of being".  Now reduce your life to this simple concept, imagine yourself as an early ancestor in a cave if you must - just as they were we still are, humans need to and want to survive. We survive so we can procreate and thus change. Is change our purpose? It is the difference between us and other mammals and animals on the Earth. And what is their purpose? To serve ours? Where then will all this change lead us?

"Then there's the other movement... farmers going out to milk their cows... soldiers reporting for duty. Those who believe that life will go on somehow... or just don't know what else to do. People prepare for the worst... but hope for the best. They concentrate on the things that are important to them. All the things beyond fat and flour" Perfect Sense 2011

Now this is where my 'design' comes in. To survive we need food, water, shelter. These are the things that will physically keep us alive. But I strongly believe we also need things to keep us mentally alive - communication.
'To be alone is one of the greatest evils of man'. Alone, a man is nothing. Even the changes he may make to the world around him means nothing if it cannot be witnessed or consumed by others. The need for other's approval is just one of the ways in which we need communication. Irvine says that we all desire to be a ‘somebody’ and for people to acknowledge our existence, to admire us if not love us. Our desires are not random, they are manipulated or predetermined by evolutionary psychology to pro-create which means that whether we like it or not we are driven by an urge to find compatibility and connection in other people which strengthens Lacan’s reading of our constant pursuit for the ‘Thing’ in relationships.

Communicating with others is a way for us to reach out into the abyss of the world and clutch to what we can find. When we find someone we particularly like communicating with we cling on tight. The sense of self is mostly lost as a child as we grow to recognise that we are not the centre of the universe, that our minds are ours alone and no one will ever penetrate them fully or understand them fully:

"In search of something we feel ourselves to be  lacking (a sense of self loss), but it will never exist and never did" 
(Cramer)

Love is the answer. Love in people but love in other things too including religion, art, politics, work or an idea. But whatever you love, it will lead back to purpose, your purpose.

Pop Culture Reference:
Walt, the protagonist in the TV series Breaking Bad, needs to take control in his life when he is told he will die of cancer and so he decides to take control of the money he will leave to his family. He discovers a talent in cooking crystal meth as he gets involved with a young dealer. The two begin to get deeply involved in the Drug Trade where Walt gradually becomes a very respected figure. This makes him feel respected, good and powerful. However when his wife finds out, he stops for her for a short time before making a choice to go back. This time however it isn't just a way of coping with Cancer, it is everything. His life spirals out of control and he loses his family, his friends and his life by the end.

Walt experiences a trauma, makes a realisation, creates for himself a coping mechanism, is confronted, makes a choice and is resolved.

This linear projectile is something seen often in stories. And is key to my 'Design' where almost always the resolve is that people are important. The projectile teaches the protagonist the Design. Or speaks about it, defies it, never knows it.

“To live is to struggle, resist, survive, and no one can do so indefinitely. In the end we must die and it is the only thing we can be certain of. We would like there to be life after death, because that alone would allow us to definitively answer the question. But curiosity is no more an argument than hope.” (The Little Book of Philosophy). Curiosity is the hope that we will find ultimate communication and completeness.

 “There is the Platonic interpretation death, that is to say the separation of the soul from the body, is the purpose of life...through suicide? No, on the contrary, through life that is, more pure, more free since it is freed sooner from this prison – from this tomb, as Plato says in the Gorgas – which is the body.” The cacoon and the butterfly – Lacan.

“I’d rather have your opinion on paintings or books or plays than anyone else’s I know. But you’re liable to get side tracked if you’re not careful. Life is for living first and foremost. Even for artists, life is for living. Remember that.” (Coward, 1994) 

Thursday, 8 November 2012

William Shakespeare - Julius Caesar and King Lear

WILLIAM SHAKESPERE

JULIUS CAESAR AND KING LEAR


I was dubious about reading Shakespeare because of the pretentious and intellectual connotations attached to his works. However I read nine of his plays in the space of two weeks and found this to be key to my acceptance of the plays. I found meaning in Shakespeare because each new play I read made all the ones before it more defined - like building on an argument that suggests a reflective outlook on life. In the end he converted me, not to his plays, but to his frame of mind. I learnt that there are two important things in life that can balance and outbalance happiness: Hope and love. 

What makes Shakespeare difficult is that the time it was written in tends to get in the way of contemporary story telling. I found some things were less easy to accept that others in terms of their necessity and value. For example in Measure for Measure the moral plot is about a woman selling her body to save her brother from death which doesn’t quite resonate today as much as it may have done back then. And so, instead I found myself questioning death and life - which one is easier –instead of the morals behind sex.

A Winters Tale
A story about a man who has success and love but is corrupted by human emotion.

Measure for Measure
Death? A dreamless sleep or a gateway to an afterlife of bliss or purgatorial suffering?
“I humbly thank you. To seek to live, I find I seek to die, And seeking death, find life. Let it come on.” (Claudio, 67)

Antony and Cleopatra
Living for love. Is living for this alone enough?

Timon of Athens
Money Vs Love. Defining flattery from feeling and which of the two is more important. Resentment to a world gone mad with money and all that that plagues
“Timon is dead, who hath outstretched his span. Some beast read this; there does not live a man.” (Timon)

The Tempest
Communist Utopia. Releasing you from dreams and from reality.
“You taught me language, and my profit on’t Is, I know how to curse: the red plague and you For learning me your language” (Caliban, 44).

A Midsummer Nights Dream
Reality within illusion.
“When they next wake, all this derision Shall seem a dream and fruitless vision And back to Athens shall the lovers went With league whose date till death shall never end…” (Oberon, 71)

King Lear
What happens to a man who has power and love but looses them both? Re-birthing into the world - transcending from dreams to reality.
“You do me wrong to take me out o’th’grave; Thou art a soul in bliss; but lambound Upon a wheel of fire, that mine own tears Do scald like wolten lead” (Lear, 178).

LEAR ANALYSIS AND GIVEN WORLD

I compared the hierarchy of royalty in King Lear to those that have power these days – celebrity and the media. I drew out my ideas on thin pieces of paper which I stuck on top of every page of a gossip magazine.
“Scratching at the surface”

Lear Analysis put into the form of a magazine . The mask on top represents identity, the eye holes are blacked out because King Lear has no emotional identity - he is King but not 'father'.
The reason it is in the form of a magazine is because of the contrast in hierarchy these days. In time gone by the Kings and Queens had power, money and fame and these days it is celebrities that have power, money and fame. And as opposed to riding through the streets in carriages to be seen, our power people ride the red carpet and get published in celebrity magazines.
The first page is about fatherhood and King Lears absent relationship with his daughters



We do not know these people that we judge and look at in magazines. We think we do because the journalist writes factually, but we forget about what gets left out, exaggerated and manipulated. King Lear is regarded as a happy and fulfilled man because of his day job as a King. He is so successful that it overshadows how he feels day to day as a human being. We should not always believe what we see in tabloids and nor should we believe that what they say is the be all and end all - things are not always as they seem.


A picture of a father, daughter, son and nephew.

A quote from the film 500 Days of Summer: 

"It's these cards, and the movies and the pop songs, they're to blame for all the lies and the heartache, everything. We're responsible. I'M responsible. I think we do a bad thing here. People should be able to say how they feel, how they really feel, not ya know, some words that some stranger put in their mouth. Words like love, that don't mean anything. Sorry, I'm sorry, I um, I quit. There's enough bullshit in the world without my help".

  King Lear neglected his daughters and took them for granted and when he finally realised how important Cordelia was to him it was too late.


What's Beneath the Surface?

Julius Caesar
Power Vs Love. Is love the one that matters when all else is said and done? What should we do with the time we have, when death is the inevitable end?

“This day I breathed first; time is come round, And where I did begun, there shall I end, My life is run his compass - Sirrah, what news?”(Cassius, 101)

THE JULIUS CAESAR INSTALLATION

My analysis and artistic response to King Lear prompted my analysis of Julius Caesar. I set out to create a string of life that symbolized a journey made up of love and power. I hung this 'string of life' either side of a ladder to create the shape of a mountain. On one side I attached artifacts of love from family and friends: REAL LOVE. On the other side I attached artifacts of success and a desire for acceptance: FLATTERY LOVE.
The side of real love is made up of letters and mementos from my family. Everything could be opened and objects/cards/quotes could be found inside.


The side of flattery love is made up of celebrity magazines. Again, inside every magazine was something extra to further illustrate the flattery love in the play.


"The hardest thing in this world is living in it. be brave. Live" - Joss Whedon. This comes at the top of the 'mountain'.