Showing posts with label power. Show all posts
Showing posts with label power. Show all posts

Wednesday, 23 January 2013

Power and Horror

POWER AND HORROR

LOOKING AT HORROR MOVIES AND POWER



The Hills Have Eyes (2006 version) is a fascinating and brutal film where a family are sabotaged in the middle of a desert and left to the mercy of a family of cannibal mutants. Stranded, they are attacked and forced to watch their loved ones brutally violated and murdered in front of their eyes. The characters in the film find power in trying to save the people around them. 

We can better understand what is meant by power by looking at the scene in the movie where most of the family dies.

This is a snippet of the scene from the 2006 remake:

The youngest daughter has just been raped screaming and crying when her sister rushes in to witness both her sister and her own baby in danger. The elder sister does not panic or give into her emotions like her younger sibling does but accesses the situation while she is forced to allow one of the mutants to breast feed from her. Following this she waits for her chance and shoots one of the mutants only to be shot herself soon after.

She self sacrificed for the ones she loves.  Strength comes from interaction with other people. Weakness comes from personal involvement.

The Hills Have Eyes Trailer (2006 remake)

The Tiger - "A teacher and his student were walking from one village to another, when they suddenly heard a roar behind them. Turning their gaze in the direction of the roar, they saw a big tiger following them"


“It’s about Power” (Whedon, 2002).




It Lives Again


 Axelle, Carolyn. 2009. It Lives Again! Horror Movies in the New Millennium,

In a lecture on Critical Theory Dr Steve Cramer told me about art which belongs to the semiotic order. Horror movies unashamedly portrayal of the human body is what makes them so popular with young audiences - the life or death situations that characters are forced into makes them act on an unconscious level driven by survival. In my mind these forced situations are ‘situations which reveal the real us’. It Lives Again is  book which looks at horror movies from the new millennium:


*Warning - Spoilers Follow!*


The Ring


A journalist investigates the legend of a tape which ensures certain death seven days after watching it, unless you can make someone else watch it first. The journalist unearths the mystery of the tape by watching it and finding the place it was made and the people it featured. The only way to stop it and save her son however is to make a copy of the tape and keep the cycle running.


 The Others


A woman looks after her two children while their father is at war. She and her two children are haunted by ‘ghosts‘ at the arrival of three new housekeepers. The woman and her children live in curtained darkness because her children have a rare intolerance to sunlight which means that all doors are locked once opened so that no sunlight from any window can enter the house. As the story unfolds the woman learns that she and her children are in fact dead and the ‘ghosts’ haunting them are in fact living people who have moved into their apparent vacant home. The reason she never realised before is because she was repressing the memory of killing her own children and then shooting herself.

Saw

Two men wake to find themselves in a  large bathroom, chained and separated by a supposedly dead man lying face down between them. As the movie progresses they discover they are part of a game conceived by a serial killer called Jigsaw who tests his victims desires to live. The ending is goose bumpingly amazing!


 

28 Days Later


The world has been overrun by zombies as a result of a fatal virus. A group of survivors search for more survivors. The young girl is forced to kill her father when he is infected. When the survivors find help they are panic-stricken to realise that the British army are killing off the male survivors and raping the females. To save a young girl the trauma of sexual abuse an older female gives her drugs to put her into an unconscious state of mind.


War of the Worlds


The world is overtaken by aliens and a father and his two children fight for survival. The father spends most of the movie literally shielding his young daughter’s eyes from the horrors around her however by the end, after so much has happened, he can no longer protect her from seeing the devastation that surrounds them.


Jeepers Creepers


The beginning scene is the most haunting



A young boy is working in a field which is scattered with DIY black clothed scarecrows. Out of the corner of his eye he thinks he sees something move but when he looks around everything seems normal. However to his immediate horror the Jeeper Creeper has been spying on him in the guise of a scarecrow. It violently flies over him and carries him away.
The magic of this scene is the director making something apparently normal, sinister. It helps that the ‘normal’ thing (the scarecrow) is a thing without a soul already.
This scare effect is used again in the movie when two young kids are chased by a blacked out old truck - we have no idea what is in the truck because we have not seen the Creeper but the mystery of what is inside is terrifying.




Gothika


Gothika is a psychological horror where a Doctor finds herself a patient in the asylum she worked in without knowing how. When everyone else around her seems sure that she is supposed to be there because she is 'crazy' she begins to think the same. Like in Flight Plan when a majority rules it is hard to stand against them even if you know you are right.


The Descent


A group of women go cave diving and get trapped underground with a race of deformed human cannibals adapt to living underground. One of the most heartbreaking scenes I have ever seen was in this movie. The last survivor sees light and follows it upwards to the world above. Free of the underground and the mutants she runs to her car and drives away. She pulls over about a mile away and throws up out of her window. When she sits back up in her seat she sees her friend she left to die underground in the passenger seat. She blinks and when she opens her eyes again she is back underground, the noise of the mutants impendingly close -
we realise that she blacked out and dreamt she escaped.


Grindhouse


Another zombie film descendant of I Am Legend where Quintin Tarantino physically disables all of his characters to make them stronger.


30 Days of Night


A vampire film set in Alaska where every year for thirty days and nights there is no sunrise. A group of survivors are forced to hide from the unconventionally romantic vampires and the protagonist sacrifices his humanity to save the woman he loves at the end.


The Strangers


A game of hide and seek in a couples own home as they are invaded by masked intruders. At the end as the sun comes up they are tied to chairs and stabbed as we hear the wind chimes chime in the wind outside, the shuffle of chairs, the cough and snobs of the characters.
http://youtu.be/LiqeyLevrNU


The Blair Witch Project


A home movie which was marketed as a real tape found in the woods where the characters in the film get lost.


Open Water


A couple are stranded in shark infested waters.


Silent Hill


A deserted town inhabited by deformed human beings (based on a game)


In all of these films the characters remain in one place throughout. The world  in the horror movie is created by a set of circumstances which holds them there against their free will e.g. a car breaks down in a desert, two men chained in a room, a group of women trapped underground, a family forced to avoid sunlight inside their home, lost in the woods, stranded in the ocean. Perhaps there is something in creating a world where your protagonists are unable to escape which makes a performance able to really affect it’s audience…

Thursday, 8 November 2012

William Shakespeare - Julius Caesar and King Lear

WILLIAM SHAKESPERE

JULIUS CAESAR AND KING LEAR


I was dubious about reading Shakespeare because of the pretentious and intellectual connotations attached to his works. However I read nine of his plays in the space of two weeks and found this to be key to my acceptance of the plays. I found meaning in Shakespeare because each new play I read made all the ones before it more defined - like building on an argument that suggests a reflective outlook on life. In the end he converted me, not to his plays, but to his frame of mind. I learnt that there are two important things in life that can balance and outbalance happiness: Hope and love. 

What makes Shakespeare difficult is that the time it was written in tends to get in the way of contemporary story telling. I found some things were less easy to accept that others in terms of their necessity and value. For example in Measure for Measure the moral plot is about a woman selling her body to save her brother from death which doesn’t quite resonate today as much as it may have done back then. And so, instead I found myself questioning death and life - which one is easier –instead of the morals behind sex.

A Winters Tale
A story about a man who has success and love but is corrupted by human emotion.

Measure for Measure
Death? A dreamless sleep or a gateway to an afterlife of bliss or purgatorial suffering?
“I humbly thank you. To seek to live, I find I seek to die, And seeking death, find life. Let it come on.” (Claudio, 67)

Antony and Cleopatra
Living for love. Is living for this alone enough?

Timon of Athens
Money Vs Love. Defining flattery from feeling and which of the two is more important. Resentment to a world gone mad with money and all that that plagues
“Timon is dead, who hath outstretched his span. Some beast read this; there does not live a man.” (Timon)

The Tempest
Communist Utopia. Releasing you from dreams and from reality.
“You taught me language, and my profit on’t Is, I know how to curse: the red plague and you For learning me your language” (Caliban, 44).

A Midsummer Nights Dream
Reality within illusion.
“When they next wake, all this derision Shall seem a dream and fruitless vision And back to Athens shall the lovers went With league whose date till death shall never end…” (Oberon, 71)

King Lear
What happens to a man who has power and love but looses them both? Re-birthing into the world - transcending from dreams to reality.
“You do me wrong to take me out o’th’grave; Thou art a soul in bliss; but lambound Upon a wheel of fire, that mine own tears Do scald like wolten lead” (Lear, 178).

LEAR ANALYSIS AND GIVEN WORLD

I compared the hierarchy of royalty in King Lear to those that have power these days – celebrity and the media. I drew out my ideas on thin pieces of paper which I stuck on top of every page of a gossip magazine.
“Scratching at the surface”

Lear Analysis put into the form of a magazine . The mask on top represents identity, the eye holes are blacked out because King Lear has no emotional identity - he is King but not 'father'.
The reason it is in the form of a magazine is because of the contrast in hierarchy these days. In time gone by the Kings and Queens had power, money and fame and these days it is celebrities that have power, money and fame. And as opposed to riding through the streets in carriages to be seen, our power people ride the red carpet and get published in celebrity magazines.
The first page is about fatherhood and King Lears absent relationship with his daughters



We do not know these people that we judge and look at in magazines. We think we do because the journalist writes factually, but we forget about what gets left out, exaggerated and manipulated. King Lear is regarded as a happy and fulfilled man because of his day job as a King. He is so successful that it overshadows how he feels day to day as a human being. We should not always believe what we see in tabloids and nor should we believe that what they say is the be all and end all - things are not always as they seem.


A picture of a father, daughter, son and nephew.

A quote from the film 500 Days of Summer: 

"It's these cards, and the movies and the pop songs, they're to blame for all the lies and the heartache, everything. We're responsible. I'M responsible. I think we do a bad thing here. People should be able to say how they feel, how they really feel, not ya know, some words that some stranger put in their mouth. Words like love, that don't mean anything. Sorry, I'm sorry, I um, I quit. There's enough bullshit in the world without my help".

  King Lear neglected his daughters and took them for granted and when he finally realised how important Cordelia was to him it was too late.


What's Beneath the Surface?

Julius Caesar
Power Vs Love. Is love the one that matters when all else is said and done? What should we do with the time we have, when death is the inevitable end?

“This day I breathed first; time is come round, And where I did begun, there shall I end, My life is run his compass - Sirrah, what news?”(Cassius, 101)

THE JULIUS CAESAR INSTALLATION

My analysis and artistic response to King Lear prompted my analysis of Julius Caesar. I set out to create a string of life that symbolized a journey made up of love and power. I hung this 'string of life' either side of a ladder to create the shape of a mountain. On one side I attached artifacts of love from family and friends: REAL LOVE. On the other side I attached artifacts of success and a desire for acceptance: FLATTERY LOVE.
The side of real love is made up of letters and mementos from my family. Everything could be opened and objects/cards/quotes could be found inside.


The side of flattery love is made up of celebrity magazines. Again, inside every magazine was something extra to further illustrate the flattery love in the play.


"The hardest thing in this world is living in it. be brave. Live" - Joss Whedon. This comes at the top of the 'mountain'.



Power and Art, and John Berger's Ways of Seeing


POWER AND ART

JOHN BERGER'S WAYS OF SEEING

 “You’re never as powerful as you are when you know you are powerless” (Kane)

 John Berger’s book Ways Of Seeing opened my mind to society and what controls our happiness. In his book he speaks about love, art and society which is compiled in a way unusual to the standard layout, for example one of the essays does not use any words at all. Ways of Seeing was made into a BBC series in 1972.

                                                                                                                                          
What do the arts have to do with power?

Power to put out a message, to express and inspire, affect. The power to connect.



Appropriation and Ownership

You can’t get the message out without conforming to the message. Art only gets made if it will make money. If art is made to connect with other humans then surely it is impossible to claim ownership over such a thing. Bourgeoisie ownership - owning the images in a painting.



What does my art have to do with the way the world is right now?
Identity search, expression…

The reason I go to an art gallery is to feel closer to the painters. An artist paints something they feel, and that image is displayed for the public to look at. But what you are really looking at is not a random image; it’s the soul of the artist, the inside of his head. Art is more exciting to me if I know why the painting was made, when and where. It’s the same with plays. You are not reading a story. You’re reading into a mans outlook on life. His feelings are carefully constructed into a piece of art work that should connect with anyone who reads it - connecting with the mind of another human being.


This is a landscape of a cornfield with birds flying out of it. Look at it for a second. Then scroll down.






































This painting is the last picture that Vincent Van Gogh painted before he killed himself.


























“When in love, the sight of the beloved has a completeness which no words and no embrace can match: a completeness which only the act of making love can temporarily accommodate” (Berger, 8)
 



 Tab A into Tab B. Two people become one. Become whole.
“By refusing to enter the conspiracy, one remains innocent of that conspiracy. But to remain innocent may also be to remain ignorant. The issue is not between innocence and knowledge (or between the natural and the cultural) but between a total approach to art which attempts to relate it to every aspect of experience and the esoteric approach of a few specialized experts who are the clerks of the nostalgia of a ruling class in decline” (Berger, 32).


 
“This annologue between possessing and the way of seeing is incorporated in oil painting” (Berger, 83).
 
“Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness: happiness as judged from the outside by others…”(Berger, 132).


“Money is life. Not in the sense that without money you starve. Not in the sense that capital gives one class power over the entire lives of another class. But in the sense that money is the token of, and the key to, every human capacity. The power to spend money is the power to live” (Berger, 143).

                                                                                                                                               


Short Experimental Art Film: